![]() ![]() Einfacher Export der fertigen Filme in unterschiedliche Codecs oder direkter Upload in SocialMedia Plattformen. Sehr gut ist alles gelöst, was mit Colorgrading und Farbkorrekturen zu tun hat (Keys, bewegte Masken sowie animierte Farbkorrekturen - alles über Keyframes). Sie beinhaltet eine durch beliebige VST-Plugins erweiterbare Audioworkstation, um die Filme zu vertonen. Resolve Studio ist eine sehr übersichtliche, günstige und einfach zu erlenende Schnittsoftware. ![]() Wer den Dongle kauft und nicht den Lizenzkey, kann ebenfalls die Standallone-Version von Fusion damit verwenden.ĭER DONGLE KANN NICHT NACHTRÄGLICH IN EINE LIZENZDATEI UMGEWANDELT WERDEN !!! Wer also nur eine Lizenz kaufen aber Resolve Studio auf Laptop und Workstation abwechselnd(!) nutzen will, freut sich über den Dongle. Kommt mit Schutzkappe und Reseolve Studio Installationsdatei (v16) sowie englischem Manul auf SD-Karte. Der Dongle muss während der ganzen Zeit eingesteckt bleiben! Resolve (Studio) findet den Dongle direkt und läuft stabil. Keine Softwareinstallation oder Onlineregistrierung für den Dongle nötig. Die Freischaltung per Lizenzkey entfällt dann, da dieser auf dem Dongle hinterlegt ist.Įinfach an einen beliebigen USB-Port/Hub stecken. Mit dem Dongle lässt sich Resolve Studio auf mehreren Rechnern einsetzen. If you’re looking for tips on using Frame.io account, check out Shawn McDaniel’s playlist on our YouTube channel. Come back for a new Insider Tip every Wednesday, or subscribe to our newsletter to get a reminder each week. Insider Tips are helpful weekly posts brought to you by Frame.io’s awesome writers and industry experts. This will give you the power to tweak individual shots without worrying that it might ripple to other instances of that shot in the timeline. You might use remote grades to start, then do your last pass having copied those remote grades to local. To switch back and forth between local and remote simply right click on your clips in the color room and select “use remote grades” or “use local grades.” You can even copy from one to the other. ![]() The remote grade is one of DaVinci Resolve’s secret power tools. You can make a “bright” version and a “dark” version of your grade to match the footage, and then select the correct version every time the shot shows up, instead of having to regrade from scratch. Say in your documentary you keep cutting back to a shot that was captured outside with the sun moving in and out of the clouds. Resolve takes this one step further by letting you have multiple versions of a remote grade. The pink double squares indicate the shots in the timeline are linked. As soon as you see the little pink double square, you know the shot shows up more than once in the timeline and it’s linked. This can be incredibly powerful when working on projects like documentaries that might repeatedly cut back to the same shot. So if that particular clip in the media pool is cut into your timeline 15 times-like an interview you keep cutting back to-once you grade the first shot, all 15 instances of that shot in the timeline end up with the same correction. With a “remote” workflow each media pool clip gets a grade. Each individual clip in the timeline gets its own grade. While this is a somewhat odd phrasing, the principle at play here offers a tremendous amount of power when working on projects with repeated shots.įor example, in a typical local workflow, you grade one shot at a time, working through the project. Instead “remote” here means “shots in the media pool” while “local” means shots on the timeline. This doesn’t refer to working remotely from your client (there are other tools built for that). ![]() One of the secret power tools of Resolve that many regular users have missed is its “remote” grading feature. Resolve’s remote grades can speed up your edits. This week, Charles Haine looks into the differences between local and remote grades in DaVinci Resolve. Every week, Frame.io Insider asks one of our expert contributors to share a tip, tool, or technique that they use all the time and couldn’t live without. ![]()
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